Showing posts with label Director: Krzysztof Kieslowski. Show all posts
Showing posts with label Director: Krzysztof Kieslowski. Show all posts

Three Colors: Red (1994)

| Saturday, April 30, 2005 | 0 comments |
AKA Trois couleurs: Rouge

Directed by
Krzysztof Kieslowski

Written by
Krzysztof Kieslowski
Krzysztof Piesiewicz


The film begins with clips that track a telephone call between London and Geneva, where a university student and part-time model, Valentine Dusot (Irene Jacob), is talking to her emotionally infantile and possessive boyfriend. During her work as a model she poses for a chewing-gum campaign and during the photo shoot the photographer asks her to look very sad. While walking back home Auguste, a neighbour of Valentine's, drops a set of books and he notices that a particular chapter of the Criminal Code was open at random and he concentrates on that passage. While driving back to her apartment Valentine is distracted by adjusting the radio which is emitting a strange signal and she accidentally runs over a dog. She tracks down the owner, a reclusive retired judge, Joseph Kern (Jean-Louis Trintignant). He seems unconcerned by the accident or the injuries sustained by Rita, his dog. Valentine takes Rita to a veterinarian, where she learns that Rita is pregnant. Valentine takes the dog home.

Whilst walking Rita the next day the dog runs away and Valentine eventually finds the dog back at Kern's house. He gives the dog to Valentine. A short time later Valentine finds Kern eavesdropping on his neighbours' private telephone conversations (possibly the cause of the disruptive signal on Valentine's radio). Valentine threatens to denounce Kern to his neighbours and initially goes to do so but then changes her mind. Kern tells Valentine that it shall make no difference that she denounces him for his spying, the people's lives he listens to shall eventually turn into hell. She leaves saying that she feels nothing but pity for him.

Whilst visiting Kern, Valentine hears a telephone conversation between her neighbour, Auguste, and his girlfriend, Karin (Frederique Feder). They discuss if they should go bowling. Valentine covers her ears but from the very little she hears she concludes that they love each other. Kern disagrees. That evening Valentine is alone at home and hopes that her boyfriend will call but it is the photographer who calls, saying that her poster was set up that evening and asks her bowling to celebrate. Later Auguste takes his exam and passes it and becomes a judge. Karin asks him if he was asked any questions regarding the article that was open when he dropped his books. Auguste says yes. Karin gives him a fountain pen as a gift and he wonders what the first judgment he signs with it will be. That evening, Kern writes a series of letters to his neighbours and denounces himself, and the community files a class action. At the law courts, he sees Karin meeting another man. Earlier Auguste had missed a call from Karin and tried to call her back but never hears from her again.

Valentine reads the news about a retired judge that spied on his neighbours and she goes to Kern telling him that she said nothing to anybody. He confesses that it was him just to see what she would do. He asks her in and shows her that Rita has had seven puppies. They discuss that on their last conversation she spoke about pity but he later realized that it was actually disgust. He wonders about the reasons why people obey laws and it turns out that often it is more on selfish grounds and from fear than about obeying the law or being decent. It is his birthday and they have a couple of drinks. During their conversation he reminisces about a sailor he acquitted a long time ago, only later realizing he had made a mistake, and that the man was guilty. However the man later married and had children and later grandchildren and lives peacefully and happy. Valentine says that he did what he had to do, but Kern wonders how many other people that he acquitted or condemned might have seen a different life had he decided otherwise. Valentine tells Kern about her intended trip to England to visit her boyfriend. Kern suggests that she take the ferry.

Auguste has been unable to reach Karin since graduation so he goes to her place and sees her having sex with another man. Distraught, he leaves. On another occasion, Auguste sees Karin and her new boyfriend in a restaurant, he gets her attention but when she rushes outside to try to explain he hides from her. In a temper, he ties his dog by a quayside and abandons it.

Karin is employed to provide a personalised weather service by telephone. Kern calls this and enquires about the weather in the English Channel for when Valentine travels to England. Karin states that she expects the weather to be perfect and reveals that she is about to take a trip there (with her new boyfriend who owns a boat).

The day before Valentine leaves, she invites Kern to a fashion show where she is modeling. After the show they speak about the dream Kern had about her, where he saw her at the age of 40-50 years old and happy with an unidentified man. The conversation then turns to Kern and the reasons why he disliked Karin. Kern reveals that before becoming a judge, he was in love with a woman very much like Karin, who betrayed him for another man. While preparing for his exam, he once went to the same theatre where the fashion show took place and he accidentally dropped one of his books. When he picked it up, Kern studied the chapter where the book accidentally opened, which turned out to be the crucial question at his examination. When he broke up with his girlfriend he followed her across the English Channel but never saw her again, because she died in an accident. Later, he was assigned to judge a case where the defendant was the same man who took his girlfriend from him. Regardless of this connection, Kern did not recuse himself from the case, since the connection was only known to him, and condemned the man, the judgment was legal but he subsequently resigned his post.

Valentine takes her ferry to England, and Auguste is also on the ferry, clutching the dog he had abandoned, although the two never quite meet each other. Suddenly a storm rises and sinks both the ferry and the boat with Karin and her boyfriend. Only seven survivors are pulled from the ferry: the main characters from the first two films of the trilogy, Julie and Olivier from Blue, Karol and Dominique from White, and Valentine and Auguste, who meet for the first time, as well as an English bartender named Stephen Killian. As with the other films, the film's final sequence shows a character crying - in this case, the judge - but the final image replicates the iconic chewing-gum poster of Valentine.

http://www.imdb.com/title/tt0111495/

Three Colors: White (1994)

| Friday, March 11, 2005 | 0 comments |
AKA Trzy kolory: Bialy

Directed by
Krzysztof Kieslowski

Written by
Krzysztof Kieslowski (scenario)
Krzysztof Piesiewicz (scenario)
Agnieszka Holland (scenario collaborator)
Edward Zebrowski (scenario collaborator)
Edward Klosinski (scenario collaborator)
Marcin Latallo (dialogue translation)



After opening with a brief, seemingly irrelevant scene of a suitcase on an airport carousel, the story quickly focuses on a Paris divorce court where Karol Karol (Zbigniew Zamachowski) is pleading with the judge — the same legal proceedings that Juliette Binoche's character briefly stumbled upon in Blue. The immigrant Karol, despite his difficulty in understanding French, is made to understand that his wife Dominique (Julie Delpy) does not love him. The grounds for divorce are humiliating: Karol was unable to consummate the marriage. Along with his wife, he loses his means of support (a beauty salon they jointly owned), his legal residency in France, and the rest of his cash in a series of mishaps, and is soon a beggar. He only retains a 2 franc coin.

In a Paris Métro station, performing songs for spare change, Karol meets and is befriended by another Pole, Mikołaj (Janusz Gajos). While Karol has lost his wife and his property, Mikołaj is married and successful, he offers Karol a job consisting of killing someone who wants to be dead but does not have enough courage to do it himself. Through a hazardous scheme, Mikołaj helps him return to Poland hidden in the suitcase shown at the beginning of the film, which is later stolen by employees at the airport. He returns to working as a hairdresser with his brother (Jerzy Stuhr).

Karol takes a job as a bodyguard in a seemingly innocent cash exchange office. Mikołaj meets Karol in a Warsaw Metro tunnel for the execution of the "suicide", it turns out to be that Mikołaj is the intended victim and asks Karol to kill him. Karol shoots a blank into Mikołaj's chest and asks him if he really wants to go through with it as the next bullet is real. Mikołaj refuses and is able to feel alive again. Using his position as a deceptively foolish bodyguard, Karol spies on his bosses and discovers their scheme to purchase different pieces of land that they knew were going to be targeted by big companies for development and resell for large profits. Karol beats them to it, and then tells his ex-bosses that if they kill him all his estate shall go to the Church, and they are therefore forced to purchase all the land from him.

With the money he gained from this scheme and with the payment from Mikołaj, the two go into business (of a vaguely defined but possibly illegal nature) together. Karol becomes ruthlessly ambitious, focusing his energies on money-making schemes while learning French and brooding over his wife's abandonment. He uses his new financial influence in a world where, as several characters observe, "you can buy anything" to execute a complex scheme to first win back Dominique, and then destroy her life by faking his own death after which she is imprisoned for his 'murder'. The final image of the film shows Karol staring at Dominique through the window of her prison cell, while crying.

http://www.imdb.com/title/tt0111507/

Three Colors: Blue (1993)

| Friday, February 18, 2005 | 0 comments |
AKA Trois couleurs: Bleu

Directed by
Krzysztof Kieslowski

Written by
Krzysztof Kieslowski (scenario)
Krzysztof Piesiewicz (scenario)
Agnieszka Holland (scenario collaborator)
Edward Zebrowski (scenario collaborator)
Slawomir Idziak (scenario collaborator)





Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in the hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from the hospital, Julie closes up the house she lived in with her family and takes an apartment in Paris without telling anyone. She leaves behind all her clothes and possessions, taking only a chandelier of blue beads that presumably belonged to her daughter.

For the remainder of the film, Julie disassociates herself from all past memories and distances herself from former friendships, as can be derived from a conversation she has with her mother who suffers from Alzheimer's disease and believes Julie is her own sister Marie-France. She also destroys the score for her late husband's last commissioned, though unfinished, work—a piece celebrating European unity, following the end of the Cold War. It is strongly suggested that she wrote, or at least co-wrote, her husband's last work. Snatches of the music haunt her throughout the film.

She reluctantly befriends an exotic dancer who is having an affair with one of the neighbours and helps her when she needs moral support. Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face, including Olivier (Benoît Régent), a friend of the couple. Olivier is also a composer and former assistant of Patrice's at the conservatory. He is in love with Julie, and suspects that she is in fact the true author of her late husband's music. Olivier appears in a TV interview announcing that he shall try to complete Patrice's commission. Julie also discovers that her late husband was having an affair.

While both trying to stop Olivier from completing the score, and finding out who her husband's mistress was, she becomes more engaged in her former life. She tracks down Sandrine (Florence Pernel), Patrice's mistress, and finds out that she is carrying his child; Julie arranges for her to have her husband's house and recognition of his paternity for the child. This provokes her to begin a relationship with Olivier, and to resurrect her late husband's last composition, which has been changing according to her notes on Olivier's work. Olivier decides not to incorporate the changes suggested by Julie, stating that this piece is now his music and has ceased to be Patrice's. He says that she must either accept his composition with all its roughness or she must allow people to know the truth about her composition. She agrees on the grounds that the truth about her husband's music would not be revealed as her own work.

In the final sequence, the Unity of Europe piece is played (which features chorus and a solo soprano singing Saint Paul's 1 Corinthians 13 epistole in Greek), and images are seen of all the people Julie has affected by her actions. The final image is of Julie, crying—the second time she does so in the film.

http://www.imdb.com/title/tt0108394/